But the way Charles speaks certainly doesn’t suggest he’s talking about someone else’s memories – he talks as if he experienced those events. (which are intact because Wolverine alone still experienced the original timeline), and to be fair, technically, Charles didn’t find him that way in X-Men – Rogue did. You can just about explain it away as Charles reading Logan’s memories of finding him as a cage fighter, etc. – And then Deadpool 2 messes everything up by taking place roughly in the present day but referencing Logan’s death multiple times. – The biggest issue is probably the fact that everyone involved in the making of Logan viewed it as taking place in an entirely different timeline/parallel universe/whatever anyway, and included several references to events from the original timeline and the first film, despite the fact that it is, in theory, set in the new timeline. Bryan Singer suggested maybe Magneto put them back, which sort of works, but doesn’t go very well with Logan, since in that film the adamantium has been slowly poisoning Logan for years (and he never says ‘huh, I wish Magneto had taken it all out rather than putting some of it back’). – Wolverine’s adamantium claws are chopped off in The Wolverine but inexplicably back in Days Of Future Past.
– Wolverine is in two places at once during World War Two (In Origins: Wolverine and The Wolverine, which are both in the same timeline) These are too numerous to list in the course of this article ( although we have devoted an entire piece to it here), but there are a few particularly egregious examples:
However, more importantly, there are so many internal inconsistencies that you’re still going to end up with brainache. One, you could end up trying to watch X-Men: First Class and X-Men: Days Of Future Past twice, since they both exist in both timelines (the events of First Class are unchanged by the new timeline the 2023-set events of Days Of Future Past belong to the old timeline but the 1973-set events belong to the new one). However, there are two problems with trying to follow the timelines.
It should be noted that most of these suggested marathons can be further improved by removing X-Men Origins: Wolverine, which introduces an extraordinary number of inconsistencies, and X-Men: Apocalypse, which sits rather awkwardly in any sequence since it exists in a different timeline to most of the rest of the franchise, but takes place midway through the series’ chronology. These are just a few suggestions for different routes through the series, as it were, and everyone’s preferred route will come down to personal taste more than anything else. None of these suggested viewing orders are intended to be definitive and, thanks to the determined lack of internal consistency in the series, none of them work perfectly. Now that the prequel era has seemingly come to a close with the 2019, Sophie Turner -led Dark Phoenix, we thought we’d firm up a few different options for approaches to an X-Men movie marathon.
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The series includes prequels, at least two different timelines, and more internal inconsistencies than you can shake an adamantium (or bone) claw at.
The viewing order of the X-Men film series is especially complicated. You have a series, it starts out releasing an original story, then some sequels, then… it all goes a bit wibbly-wobbly-timey-wimey, whether through the release of prequels, through introducing a time-travel element to the story that confuses the order of the narrative, or other various narrative shenanigans.
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